I am trying to find out if any users on the forum have been able to accomplish the workflow but with the whole chain included - Live Camera - Motion Capture then into Unreal Engine, out to most likely a keyer and then HDMI output to both monitors and HD recording device. I’ve looked through the Composure quick start and tutorial videos, I’m not finding the components needed for my specific application. Composure looks like it could be part of the workflow but there are many elements of that workflow that just aren’t made clear. I’m looking for an off-the-shelf system that takes the live action green-screened image and syncs it to a 3D engine internal camera and then composites it and renders in real time to a 2D HDMI output for both live monitoring as well as editable footage, broadcast quality.īasically looking for the live-action compositing scenario but with the camera-side motion sensor capture as part of the application. The application would be the first step in the production workflow to achieve real-time live compositing of live action shot against a green screen using Unreal Engine or similar 3D software, rendering on the fly with HDMI output.Īlso would like to mention many of these systems seem to be for ‘VR’ applications but that gets confusing because often that means a 360-VR output for game use and Occulus and such. #Chroma key live action movie#Run the output from your camera into a Mac, then click on your background and it will disappear, revealing the movie or still image of your choice.Does anyone know what Motion Capture/Camera tracking software or solutions are compatible with any of the Blackmagic Cinema Cameras? How do you shoot a complex green-screen scene when all you see is an actor against a big green wall? Chroma Key Live makes it simple again. (Assuming you could afford the expensive studio or at least a video mixer.) Now chroma key effects are included in every editor, but they can’t be easily visualized during production. This way, the production team could see exactly how the actor looked when composited over the background image. The camera’s live signal would be routed through a keyer in the control room and delivered back to an on-set monitor. #Chroma key live action tv#In the days of analog video, chromakey was accomplished in the TV studio in realtime. The keyed output is published as a Syphon stream for other applications to use. Movie playback can be controlled from the keyboard for easy cueing and rehearsal. (See the Camera Compatibility page for complete info.) The foreground and background layers can be independently scaled, positioned, and mirrored (so your actors don’t see themselves backwards). The foreground / background sources include FaceTime cameras, USB webcams, HDMI capture cards, Syphon streams, and pre-recorded movies or stills. CamTwist Studio has a chromakey feature, but it’s buried pretty deep.)Ĭhroma Key Live performs a basic realtime chromakey (AKA “greenscreen”) on your computer screen, in HD resolutions, with adjustable tolerance and edge fade. (There are other free solutions: OBS Studio has a chromakey filter built-in. #Chroma key live action professional#We didn’t need the advanced features of professional software like Veescope, Wirecast, MimoLive or VirtualEyez so I made my own solution. #Chroma key live action full#It features Syphon I/O, HD resolutions and full GPU acceleration.Ī few years ago, some of my students were doing a green-screen shoot and needed to visualize the chromakey while shooting, so their actors could see the composite while they performed. Chroma Key Live “keys out” selected areas of live video, allowing a background to show through.
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